New instruments in the gallery „Historic Guitars“

For all those who are interested, it is worth taking a look at the gallery again, some of historical guitars have been added, from which now only photos could be taken or which I have recently returned from restorations.

„The luminous“ – Guitar Markneukirchen around 1870

Amongst others new in the gallery is the spectacular instrument of the company M. Schuster jun. Neukirchen (today Markneukirchen), that I got back at the end of 2016 after a complex and very tricky restoration.

As usual in the Vogtland, this guitar was made anonymously, in this case probably for a princely customer. The order was presumably published by the dealer M. Schuster jun. to one of the outstanding local guitar builders. In this case, the client did not take it with his high clientele to advertise his company with an engraved name tag of mother-of-pearl on the fingerboard. In this case, however, at least the origin of the instrument is documented.

The instrument with its bright design with the different colored mother-of-pearl inlays (and frets!) was obviously created to shine up especially in candle lit rooms and to unfold its effect fully. As she sparkles and glitterings in the candlelight as if it is illuminated from the inside, it has got me the nickname „Die Leuchtende“ (The Luminous). Also pay attention to the ivory veneered neck!

I would like to thank the Berlin violin maker, Florence Ford, who once again demonstrated an incomprehensible mastership in this restoration and has worked so wonderfully that it now shines again in full splendor. Furthermore, it is again fully playable and sounds amazingly good! I would also like to thank the guitar maker Dennis Tolz, who gave us advice and helped with some specific guitar technical problems.

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Guitar projects 2017: Restoration and construction of an electric guitar

The only missing original part of „The Luminous“ is the end piece that has previously decorated the neckstock. To my great happiness, Torsten and Friederike Preuß in Markneukirchen – who are specialized in fine work with mother-of-pearl, for example – have been able to create a beautiful end plate suitable for decor. For this a matching piece of mother-of-pearl had to be found, we threw more than an hour in boxes and boxes to find a worthy piece. The more difficult part is, however, that the „all-rounder chessboard pattern“ („straight bead“), which is used everywhere on the sides and the neck, should appear again. I had not even dared to ask for it, since this endeavor appeared to me impossible, but Friederike and Torsten immediately decided that this should be so and that they find a way to use the same ornamental edge also there as a conclusion! A beautiful and multifariously reflective piece of mother-of-pearl will then be a highlight in the endpiece, also in the highly ornate rear view.

This year, Torsten Preuß will also be building a tele-thinline with a vaulted ceiling as a special design for me. The woods are already selected and are ready: maple and cherry for the body as well as a piece of bird-maple for the neck. Specially the equipment is equipped with three different pickups and the equipment with a tremolo system.

In 2017, I would also like to make my „Weißgerber“ -Vihuela of 1959, designed and developed for a lute string, playable (see: „WEISSGERBER“ guitars by Guitars by Richard Jacob, S 297 and S 388/389). It is necessary to make the copy of a verge and matching vertebra. In addition, over the years many of the floor joints have been opened, which must be closed again …
Many thanks to Mathias Adler from „Die Zupfgeige“ in Karlsruhe for the possibility to make an impression of the bridge, which is necessary for the preparation of a detailed copy.

I am especially looking forward to my Christian Friedrich Bauer guitar, built in Klingenthal around 1860, which is still in restoration in Italy.

Current events

5 April 2017
Premiere with the RambaZamba „Der zertanzte Alexanderplatz“
Other performances on: April 6th, 7th and 8th


Christof Hanusch solo

25/26. June 2017
Concerts on historical guitars
25.06. Solothurn Theater Delly
26.06. Willisau Instrumentensammlung


Wolf & Lehmann House concerts

Tuesday, 2017 May 9th
David Sick (Leipzig) Modern Fingerstyle Guitar

Tuesday, 2017 June 13th
Ensemble Spiegelwelten (Berlin)
Sebastian Caspar – violin, Olivier Merger – violoncello, Michael Riemer – guitar

We deeply regret the fact that we have to adjust our series of Wolf & Lehmann house concerts for the summer. The two concerts announced here will be the last public concerts in our rooms for the time being.

New publication: Gitarren 17. bis 19. Jahrhundert

Musikinstrumenten-Museum of the University of Leipzig.
Catalog, Leipzig 2016 by Andreas Michel & Philipp Neumann.
296 pp., 245 color illustrations, 69 illustrations, printed, 21 x 21 cm
Publishing house Janos Stekovics, publishing house of the Museum of Musical Instruments of the University of Leipzig
ISBN 978-3-89923-364-3 and 978-3-9804574-8-4
Recommendation on the topic of historical guitars: A major work on the exploration of guitars from the middle of Germany.

This book is highly recommended. Prof. Andreas Michel has been involved in researching this topic for a long time and is a valuable and indispensable partner in the exchange of information with his comprehensive knowledge of the sources. The good cooperation with Mr. Michel is also due to the fact that I had the honor to  proof read the catalog shortly before printing.

With this volume, the museum continues the catalog series on the plucked instruments. After the inventory of the Zithers, cisterns and the guitars of the Weissgerber collection, the guitars from the 17th to the 19th century are treated. The authors have devoted themselves to the difficult task of scientifically investigating and evaluating the valuable but also very heterogeneous fundus of over 120 guitar instruments. In this catalog, 72 guitars from the period before 1900 are detailed and described. The catalog contains numerous new insights.

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